franck piano quintet program notes haydn

The orchestra mostly play on modern instruments, but the natural trumpets and timps make a huge difference, giving the sound an extra edge of bite that makes a big difference in the climaxes. 1, in particular, had me grinning while I listened to it: it’s so rich with bounce and life that it bounds out of the speakers, and the centuries between us and Beethoven seem to melt away as you listen. The magic that comes when these things combine is evident in the opening tutti of both No. True, it isn’s always a boon, but in almost every case it reaps huge rewards. The other great element of success is the orchestral sound the lean transparency that you only really get when a chamber orchestra play this music, and that gives the music a lift and airiness that makes it really special. There is never a hint of a mismatch or of diverging visions, and the longer rehearsal process reaps great dividends, something Bavouzet himself writes about in the booklet note. That leads to an uncommon synthesis between piano and orchestra which brings rewards in a sense of directness of communication.

Chief among them is Bavouzet’s decision to direct the ensemble from the keyboard. Just when you thought there was nothing new to say about these repertoire staples, Jean-Efflam Bavouzet and his Swedish team come along and remind you that they contain bottomless riches, and can still sound freshly minted two centuries after their creation.Several things lie at the heart of the set’s success. 'Of all the Beethoven 250 releases that have come my way in 2020, this is the one I’ve enjoyed the most. BEETHOVEN Complete Piano Concertos * Quintet for Piano & Winds Play / Direct with Swedish Chamber Orchestra

Franck piano quintet program notes haydn